REQUIEM

In recent years, even decades, it has become a common practice to completely or partially stage certain oratorical works. After Messiah and Matthäus-Passion, nothing could be more suitable to continue the practice than Giuseppe Verdi's Requiem, which is claimed by many, half-seriously, but certainly aptly, to be their "favourite opera". Even though it is a funeral mass, which traditionally does not require a stage – in fact, it specifically keeps it away from itself – its drama, emotionality, and the extremity of mood nuances almost naturally demand a spectacle. It must not be forgotten that in Verdi's these works were not composed for today’s neutral concert halls, church works were placed in sacred spaces, where they could interact with the environment. Even in a traditional concert form, a performance at an opera house gives the work a new visual appearance, but if the performance creates the possibility of a more organic theatrical experience, it can also become more capable of articulating the main message of a very human fear of death more tangibly according to the director's interpretation. The performance with special visuals is created by Ádám Tulassay and his creative team.